2009 ARSC
Conference Recordings
List of Conference Recordings
Available on
CD
ARSC is pleased to make the audio recordings of its annual conference
freely available online for the second year in a row. Listen to the
2008 conference recordings
here.
- To listen to a 128 kbps stereo audio stream, click on the m3u
link.
- To access a sound file directly (e.g., to download for offline
listening), use the mp3 link.
- In addition to the audio from each session, supplementary material
furnished by presenters, such as PowerPoints, will be made available
here as it is received (please send any such submissions to Patrick
Feaster).
Thursday, May 28, 2009
COPYRIGHT REFORM
Tim Brooks
The Fight for Copyright Reform and
What It Means For You
m3u |
mp3
|
PowerPoint |
recordingcopyright.org
Jonathan Band, June Besek, Malcolm Grace, Gigi B.
Sohn, Corey D. Williams
The Outlook for Copyright Reform in
2009 and Beyond
m3u |
mp3
|
THE NATIONAL PLAN FOR AUDIO PRESERVATION
Charles Kolb,
chair
Patrick Loughney, Gregory Lukow, Eugene
DeAnna
The State of Audio Preservation in the United States: A National
Study and Next Steps
m3u
|
mp3
REPERTOIRE AND ARTISTS:
EUROPE GETS THE BLUES
Gary Galo, chair
Dr. Rainer E. Lotz Cross the Water Blues:
Musical Archeology in Imperial Germany
m3u
|
mp3
| evening version:
m3u |
mp3 |
images (pps)
Roberta Freund Schwartz From Blue Horizon to
Saydisc:
Independent Record Labels in the British Blues Revival
m3u
|
mp3
HISTORICAL STUDIES Michael
Devecka, chair
Gerald Fabris Use, Structure, and Furnishings
of Edison Laboratory Room 13
m3u
|
mp3
Peter Alyea 3D IRENE: Groove Imaging
in the Third Dimension
m3u
|
mp3
Phil Gries Original Television Audio Air
Checks of Lost Television Broadcasts: 1946-1972
m3u
|
mp3
|
REPERTOIRE AND ARTISTS:
NEW YORK IN THE TWENTIES Patrick Feaster, chair
Steve Shapiro Sam Manning: West Indian
Immigrant Life, Music, and Theater in the Harlem Jazz Age
m3u
|
mp3
IN THE ARCHIVES Kate Murray,
chair
Brandon Burke Navigating the AAA Message Board
m3u
|
mp3
Margeret Kruesi Access to Historic Field
Recordings:
The American Folklife Center's Digital Card Catalog
m3u
|
mp3
Breandán Ó Nualltáin
Transforming the Comhaltas Traditional (Irish) Music Archive
m3u
|
mp3
REPERTOIRE AND ARTISTS:
CLASSICAL Dennis D. Rooney,
chair
Christopher Brooks Roland Hayes: A
Recording Legacy Considered
m3u
|
mp3
Seth B. Winner Rene Snepvangers: The Other
Side of His Record
m3u*
|
mp3*
Robert J. Dennis Toward a Boris Discography:
Mussorgsky and the Search for the Hammerhead Shark
m3u*
|
mp3*
|
Friday, May 29, 2009
RECOVERING THE EARLIEST SOUND RECORDINGS
Ward Marston
The Dawn of Recording: The Julius Block
Cylinders
m3u |
mp3
David Giovannoni
Adventures in Archeophony
m3u |
mp3
| edited
audio
Patrick Feaster
New Directions in
Phonautographic History
m3u |
mp3
| text and
edited audio
|
REPERTOIRE AND ARTISTS:
JAZZ LEGENDS Marlan Green, chair
Rob Bamberger Hoagy and Bix: The Seed of
Harvestry
m3u
|
mp3
Eunmi Shim Charlie Parker and Lennie Tristano
m3u
|
mp3
DISCOGRAPHY Dick
Spottswood, chair
B. George One Click Hit! The
International Discography
m3u
|
mp3
Michael H. Gray WERMing for the 21st Century:
Adventures in Compiling an On-Line Art Music Discography of
Recordings
m3u
|
mp3
Matthew Jaro Implementing a Nickelodeon Music
Roll Database
m3u
|
mp3
TECHNICAL PRACTICUM:
SIGNAL RECOVERY & DATA INTEGRITY David Nolan, chair
Robert Heiber It's Not Just Analog: Issues and
Problems Recovering Linear Digital Audio Tracks
m3u
|
mp3
Gary A. Galo Phase Equalization and Its
Importance in the Playback of Disc Records
m3u
|
mp3
Jason Bachman, Preston Cabe, George Blood If
You Turn Over Rocks, You Will Find Things
m3u
|
mp3 |
TECHNICAL PRACTICUM:
ANALOG AUDIO TRANSFER
Brad McCoy, chair
Doug Benson Pink Noise and Hot Jazz:
Restoration Techniques, Subtle and Profound
m3u
|
mp3
Lance Christensen Reproducing Cylinder
Recordings: An Examination of Differences between Acoustic and
Electronic Methodology
m3u
|
mp3
IN THE ARCHIVES Brandon Burke, chair
Kate Murray, Jessica Sims A Brave New World at
the National Archives
m3u
|
mp3
Andrew Justice The Duke of Denton: Rhodes
Baker's Ellington Collection at the University of North Texas
m3u
|
mp3
Aaron M. Bittel, Russ Hamm A Partnership for
Preservation: UCLA and the Lou Curtiss San Diego Folk Festival
Collection
m3u
|
mp3
REPERTOIRE AND ARTISTS:
A CULTURAL POTPOURRI Bill Schurk, chair
David N. Lewis Quodlibet for a Polymorphous
Polymath: The Raymond Scott Collection at the Marr Sound Archive at
the Miller-Nichols Library of the University of Missouri at Kansas
m3u
|
mp3
Barry Stapleton "The Melody That Made You
Mine":
Remembering Morton Downey
m3u
|
mp3
|
PowerPoint
Dennis D. Rooney 1959: The First Full Year of
the Stereo LP
m3u
|
mp3
|
Saturday, May 30, 2009
ON COLLECTORS & COLLECTING
Leah Biel
World Premiere of For the Record
m3u |
mp3
|
REPERTOIRE AND ARTISTS:
JAZZ RADIO IN WASHINGTON DC Roberta Freund Schwartz,
chair
David Sager, Bill Mayhugh, Rob Bamberger, Larry
Appelbaum, Rusty Hassan, Judith Korey, Michael Turpin Jazz in
DC, On the Air:
A Tribute to the Late Felix Grant
m3u
|
mp3
REPERTOIRE AND ARTISTS:
POSTWAR INDIES IN WASHINGTON DC Uncle Dave Lewis, chair
Kip Lornell, Jay Bruder Bluegrass, R&B, and
the Rise of Independent Record Labels in Washington DC after WWII
m3u
|
mp3
Richard Carlin, Atesh Sonneborn, Andrea Kalin
Worlds of Sound:
The Story of Smithsonian Folkways
m3u
|
mp3
|
TECHNICAL PRACTICUM:
PRESERVATION WORKFLOW
Seth B. Winner, chair
Mike Casey Scaling Up: Increasing Audio
Preservation Efficiency Through Automation and Parallel Transfers
m3u
|
mp3
Rob Poretti From Ingest to Web-Site: Creating
a Preservation Master and Automating On-line Access
m3u
|
mp3
Questions and Answers
m3u
|
mp3
ARSC'S TECHNICAL COMMITTEE PRESENTS
PERFECTION VERSUS REALITY―
STRATEGIES FOR PRESERVING BORN DIGITAL AUDIO Michael
Casey, chair
David Nolan Born Digital But Not Equal: A
Survey of Digital Audio Formats, from Physical Media to Files
m3u
|
mp3
Chris Lacinak Strategies for Preserving Born
Digital Audio
m3u
|
mp3
David Julian Gray
m3u
|
mp3
Questions and Answers
m3u
|
mp3
|
*An asterisk indicates a session that was incompletely or imperfectly
recorded.
NOTICE: All ARSC recordings are protected by
copyright. Copies are made available here with the presenters' permission
solely for personal and educational non-profit, non-commercial use. No
part may be sold, loaned, distributed, broadcast, or published without the
written permission of the presenter.
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