Lerman, Maya |
Preserving at Scale: Exploring Efficient Audio Preservation Workflows in Preserving the Lomax Collection Open Reel Tapes |
Conference Audio |
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2017 |
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Harvey, Todd |
A New Look at the Library of Congress / Fisk University 1941-1942 Collection |
Conference Audio |
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2017 |
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Burke, Brandon |
The Moon is Number 18: Utilizing Freeware Technologies to Facilitate Remote Description of Non-English Broadcast Sound Recordings |
Conference Audio |
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2017 |
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Reish, Greg; Fisher, Martin |
Preserving the Music of Ed Haley |
Conference Audio |
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2017 |
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Peoples, Curtis; Houle, Laura |
Fiddle Music from the Texas Panhandle |
Conference Audio |
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2017 |
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Marovich, Robert M. |
Shelby Jean Davis: From Barn Dance to Ballroom |
Conference Audio |
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2017 |
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Chandler, Rebecca; Cordovez, Danielle; Dietrich, Maddie; Hunter, Caitlin; Nelson-Strauss, Brenda; Rodriguez, Sandy |
Changing the Tune: Women, Leadership, and Recorded Sound |
Conference Audio |
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2017 |
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Brooks, Tim |
How to Deal with Copyright in the Age of Digital Scholarship |
Conference Slides |
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2017 |
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Ballow, Jennifer |
Preserving and Renewing the Recorded Legacy of Irv Teibel |
Conference Slides |
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2017 |
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Smolian, Steve |
The Records Victor Herbert Made and Made and Made |
Conference Audio |
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2017 |
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Tribute to Lydia Mendoza |
Conference Audio |
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2017 |
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Epperson, Bruce |
From the Statute of Anne to Z. Z. Top: The Strange Netherworld of Pre-1972 Sound Recordings, How it Came About, and Why it Will Never Go Away (Questions & Answers) |
Conference Audio |
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2017 |
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Brooks, Tim |
How to Deal with Copyright in the Age of Digital Scholarship (Questions & Answers) |
Conference Audio |
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2017 |
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Smolian, Steve |
How Victor Herbert’s Recording Career Was Affected by His Edison Contract: Q&A |
Conference Audio |
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2017 |
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McGourty, Allison; John Tefteller |
Talk about American Epic (Questions & Answers) |
Conference Audio |
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2017 |
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Brylawski, Sam; Maya Lerman; Robin Pike; Kathlin Smith |
ARSC Guide to Audio Preservation |
Guidelines |
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Diehl, David J.; David N. Lewis |
His Excellency: Dwight Fiske and the Birth of the Party Record Industry |
Journal Article |
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48:2[2017] |
143-162 |
Leister, Wolfgang |
The London LP Curve: London LP Recording Characteristic and its Equalization in Playback |
Journal Article |
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48:2[2017] |
163-172 |
San Martin, Brad; Steve Weiss |
People Have the Power: Crowdsourcing Cataloging of Sound Recordings |
Journal Article |
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48:2[2017] |
173-183 |
Harbeson, Eric |
Copyright & Fair Use: Proposed Legislative Fixes for Pre-1972 Sound Recordings |
Journal Article |
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48:2[2017] |
185-191 |
Justice, Andrew |
Book Reviews: "Sensing Sound: Singing and Listening as Vibrational Practice" by Nina Sun Eidsheim; "Keywords in Sound" edited by David Novak and Mat Sakakeeny; "Singing the Body Electric: The Human Voice and Sound Technology" by Miriama Young; "Sound: An Acoulogical Treatise" by Michel Chion; "Categorizing Sound: Genre and Twentieth-Century Popular Music" by David Brackett |
Journal Article |
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48:2 [2017] |
192-197 |
Brooks, Tim |
Book Reviews: "The Edison Bell Record Company" by Frank Andrews and Bill Dean-Myatt |
Journal Article |
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48:2 [2017] |
197-199 |
Peña, Carlos E. |
Book Reviews: "The Miles Davis Lost Quintet and Other Revolutionary Ensembles" by Bob Gluck |
Journal Article |
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48:2 [2017] |
199-200 |
San Martin, Brad |
Book Reviews: "Better Git It in Your Soul: An Interpretive Biography of Charles Mingus" by Krin Gabbard |
Journal Article |
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48:2 [2017] |
200-202 |
Fitzgerald, Michael |
Book Reviews: "Blue Rhythm Fantasy: Big Band Jazz Arranging in the Swing Era" by John Wriggle |
Journal Article |
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48:2 [2017] |
202-205 |